For one thing this isn’t necessarily a negative quality, as there are no overwhelming personalities in the collective diverting the spotlight from their strongest element: harmonious group storytelling.

The group slickly arrange melodic vocal harmonies and lightning quick lyrical exchanges in sharp yet smooth triplet-time verses, all layered on top of pensively malevolent G-funk grooves.įrom first impressions it might seem fair to argue that other than Wish Bone, who is set apart by simple virtue of having a deeper voice than his Bone colleagues, the rappers comprising the Thugs-N-Harmony have relatively homogeneous styles. To the uninformed, the name Bone Thugs-N-Harmony can be somewhat confounding (most importantly, the “N” actually stands for “in”, not “and” or “nigga”), while it is obvious that the Bone part signifies their penchant for gruesome, morbid imagery and refers too to the rappers various bone themed stage names, the harmony part is a surprisingly genuine and integral ingredient to their overall sound. Flippantly taking flavours of the East coast, West coast, and Southern rap scenes, these druggish thugstas concocted a smoothly sinister slice of soulful, melodically inclined rap that at the time ultimately failed to garner the attention it potentially deserved. Bone-Thugs-N-Harmony laid claim to no coasts that weren’t the banks of Lake Erie rendering them generally irrelevant at the time, yet at height of the summer in 1995 they released an album all about their life in the desolate wastelands of the American Midwest and even went so far as to include the name of what is presumably their favourite street in their home town of Cleveland in the release E. Back in the nineties, at the height of the media contrived American East coast / West coast supposed mass rap feud, the place where a rapper came from probably seemed more important than it does today. Rappers love saying the name of the place where they are from.

Bone thugs 1999